Naptime at Bladerunner 2049
The other day, I went to see the new Bladerunner movie with my brother. He got tickets to the VIP theatre, and if you don’t know what that is, it’s like a luxury theatre where the chairs are all like giant La-Z-Boys (which, by the way, is a TERRIBLE name for a piece of furniture—after a long day, how is it lazy to want to sink into a reclining piece of heaven? It should be called a “You-Deserve-This-Goddamn-It-Boy” and then you would lie back and be like, “You’re f*cking right, I do” instead of “Did you just insult me, comfortable yet strangely passive-aggressive chair?” Anyway, I digress). The VIP theatre also offers dinner and bar service delivered right to your seat by the staff, so my brother and I ordered our usual pulled-pork poutine, and a nice bottle of wine. The movie, for some unknown reason, was in 3D. Let me tell you, there’s nothing more annoying than trying to eat pulled pork poutine in the dark WHILST wearing 3D glasses—talk about a messy proposition. So if you’re planning on seeing it, and you have to choose between regular and 3D, let me tell you that, like most movies in 3D lately, there is absolutely no reason to pay extra. Unless there are flying snakes or sharks in a tornado, the use of 3D is pretty redundant in most movies, and especially in Bladerunner, which isn’t really an action movie at all—trust me, at almost three hours running time, it’s pretty contemplative. Which isn’t to say that I didn’t enjoy it—I completely did, and I had no weird questions to ask about it afterward. But the best, like the most f*cking amazing part of the whole experience, was that I managed to STAY AWAKE for the entire three hours. If you’ve read me for a while, you’ll know that I am renowned for falling asleep at the movies. You may recall that in My Week 79: Naptime at Batman Vs. Superman, I missed most of the film and woke up profoundly confused, and I was too embarrassed to ask my brother, who has a Ph.D., to explain it to me. Here’s a recap:
1) Why was Batman so pissed off at Superman?
2) Why did the angry Facebook guy want to kill Superman?
3) What was the point of two superheroes, both of whom are impervious to physical damage from the other, insisting on trying to beat the sh*t out of each other for three hours when it’s obvious that NO ONE is going to win?
4) What was with the gratuitous 15 minute scene of a shirtless Ben Affleck doing pull-ups and hitting a tractor tire with a sledgehammer? (Sure, he was very muscular, but also a little hairy and sweaty, and not in that GOOD way).
5) What kind of coincidence is it that Superman and Batman both have moms with the same name, and that once Batman finds out, they immediately become best friends instead of two guys trying to destroy each other? Did they have the SAME mom? Are they actually half-brothers or something?
6) How does an underground lake turn a normal, dead guy into a gigantic, disgustingly slimy superhuman who can only be killed by kryptonite?
7) Where the HELL did Wonderwoman come from and why did she look so happy to be there? And don’t even get me started on Aquaman and that weird-ass cameo where he looked like a character from Game of Thrones (not surprisingly) and came out of his little cave looking all sleepy and blinky, then stabbed the camera and swam away.
8) But the biggest question I had of all was this: Why did no one, in the entire movie, punch Jessie Eisenberg in the face? Because I sure as hell wanted to, mostly because of his bad acting (dude, you will NEVER be Heath Ledger, so don’t even try), but also because he’s just so f*cking annoying in everything he’s ever been in. At the end, Batman goes to see him in the “lunatic asylum” and he’s got his Batman brand all ready (by the way, when did Batman start branding people like cattle?), and I was like, “Please, god, just do this one thing for me,” but instead, Batman punched the wall and left.
9) And then the last scene of the movie was a zoom-in on the same bizarre painting of the same space harpies from an earlier scene, only now it was hung the other way, like it was an omen, or maybe a flashback, or maybe foreshadowing, only I was like, “I’m done. I can’t even.” And then we left the theatre:
Brother: That was great! Did you like it?
Me: Yeah, I guess. It was a little long. I was kind of bored by the end.
Brother: Bored? Really? What about the scene where…
Me: Oh yeah! That was a great scene!
Brother: And the scene when…
Me: I know, right? Talk about crazy!
Brother: I loved the part where…
Me: Me too. What a moment!
The best thing was that he seemed completely unaware that I’d been asleep for any length of time. But I had a sneaking suspicion that his inquisition may or may not have been motivated by a desire to watch me squirm, and at Bladerunner 2049, I finally got my revenge.
About half an hour into the movie, I realized that my brother hadn’t taken a sip of wine for a while. I took off my 3D glasses and looked more closely. Sure enough, his eyes were closed. At a certain point, his head tipped kind of sideways, and his jaw dropped open. Yes—my brother was asleep. After a while, he woke up, looked around surreptitiously, then poured each of us another glass of wine. I maintained my innocent façade until the movie was over. As we were walking out, we began to share our thoughts:
Brother: That was pretty amazing.
Me: I know, right? So beautifully shot.
Brother: A great sequel.
Me: And what about the part with the wings? Could you believe it when THAT happened?!
Brother (slight pause): I know! Such a moment.
Me: I can’t believe they didn’t play up the “wing” angle a little more. It would have made such sense.
Brother: It was a great motif, for sure.
Me: What a missed opportunity. Do you remember in the original Bladerunner at the end when Roy releases the dove in the rain? Can you imagine the parallelism if Ryan Gosling had been there in the snow, and then the wings had just opened?!
Brother: It would have really tied everything together!
Just to clarify, there are NO wings in the movie. Ultimately, I can’t tell if my brother was playing along because HE was asleep, or if he thought that I was asleep and that I’d had some weird, pulled-pork and wine-induced hallucination based on the fact that Ryan Gosling is named after a tiny goose and maybe would have wings in my imagination.
Still, the movie was great, and made total sense, unlike the original film Westworld, which Ken and I just watched on the weekend. We had seen the new series and were pretty impressed, but I wanted to see what the source material was like. Overall, it was a good piece for the 70s, with one major exception. The main villain in the film was played by Yul Brynner. Which would be fine in any other circumstance, except Westworld is about a fantasy vacation land where people can pretend to live in the Old West. In what possible universe would a short, bald Russian guy be believable as an American cowboy?! Then again, considering the state of American politics, I’m just going to leave that there.