Hobbies

Kit and Ka-glue-dle

Right now, I’m covered in white glue and seething with anger. Why, you ask? Because—and I should have known better—I bought another miniature kit from Amazon, and this one is a veritable nightmare. It looked so adorable on the website—a 2 story apartment with a four poster bed, a grand piano, vintage accessories INCLUDING a desk made from a cast iron sewing machine base, and best of all—an UNDERWOOD TYPEWRITER. And then the kit came. And once again, the instructions were incomprehensible, having been reverse engineered into English from Chinese.

But the worst part was that EVERYTHING had to be built from scratch. Therein lies the problem. I have never been known for my manual dexterity. I have very large hands and enough arthritis that they just don’t work very well. In order to build this kit, I have to manipulate pieces of balsa wood so thin and tiny that I’ve already broken several parts. LUCKILY…there is white glue to put it all back together. Oh, not the glue that came with the kit—that was dried solid—but good old Lepage’s white glue. I gave up early on trying to be accurate with my glue spurting, and now I just layer it on everywhere. It dries clear, which is the only good thing about it, aside from the fact that it eventually sticks things together. So I glue a bunch of stair treads, hold them in my fingers until they’re fairly stable, and then try to pry my hands off without pulling apart the stuff I’ve just glued. And I’m not always successful, so then it’s back to SQUARE F*CKING ONE. Pardon my language, but the typewriter? The one I was so jazzed about? It’s literally half an inch wide and it took TWENTY-TWO pieces of miniscule balsa wood to construct! You heard me—TWENTY-TWO. And don’t get me even started on the stupid grand piano. I would have given up days ago (and it’s been days…many, many days) but if you know me at all, you know I’m no quitter. I will complete this monstrosity, right down to the ridiculous lamp that requires me to glue 8 pieces of plastic and two pieces of metal together, or my name isn’t Player One. The only thing I refuse to do is the insane wireframed eyeglasses that are supposed to sit on the paper feather that I had to carefully cut out (and then locate once it landed on the kitchen floor, and that was eighteen minutes of my life I’m NEVER getting back), because I can’t even see it with my OWN glasses. I hate it. I hate it so much. But I will glue-fully triumph…and then I will throw it onto our firepit and watch it burn like the hellspawn it is.

In other news, Ilana, my favourite cat, is back living with us while the kids are home. And she continues to be completely adorable, as you can tell from the picture below, and is slowly getting over her fear of Atlas, who loves her SO much that he wants to be near her all the time. Sadly, she does not reciprocate his affection. Still, it’s such a joy every morning when she comes running to see me (and my bag of kitty treats) and lets me pet her to my heart’s content…with my glue-y hands.

It’s Puzzling, Isn’t It?

Ken and I love to do jigsaw puzzles. We usually have one going in the kitchen where we can take a minute and pop in a few pieces between other work. I find it relaxing and I think there’s proven evidence that you get a little dopamine rush when a piece clicks. But sometimes I wonder about the people who design them, like what choices are they making with the illustrations? Case in point, last week, we got a new Charles Wysocki puzzle. Charles Wysocki was an American painter who specialized in “primitive Americana”. If you’ve ever done a Wysocki puzzle, you know it heavily features this idyllic view of late 1800s towns with a LOT of American flags everywhere, and as a Canadian, I find this weird, because I’ve never done a Canadian puzzle covered in OUR flag, but sometimes there are also clocks, so it all evens out. This week, though, I opened up the new puzzle and looked at the poster, excited to discover that all the buildings were antique stores and curiosity shops. “Oh, wow!” I said to Ken. “Look at all the cool stuff in the windows of these antique stores!” He agreed that it was going to be a lot of fun, considering we have an antique business ourselves, and I started to build the frame. But then I looked closer and something dawned on me: the painting the puzzle was based on represented life in the 1800s, and all the people were wearing old-timey clothes and driving horses and buggies so NONE OF THE THINGS IN THE WINDOWS WOULD BE ANTIQUES! The stuff in the stores were things that those people would have used every single day and probably thought were modern conveniences, like the railroad lantern, the ironstone china, and the coffee grinder. If they wanted to be truly authentic and antique, shouldn’t the stores have sarcophaguses or suit of armour at least? So unless this town is one of those places where actors are all dressed up and pretend to be pioneers for the tourists, it’s seriously out of whack.

And it reminded me of the time that I started working on a Dowdle puzzle, which are based on the work of a different American artist, Eric Dowdle. This one was of Peggy’s Cove in Canada, which is strange considering he was from Utah, but it does explain the presence of a random Mountie standing by a flagpole, like that’s just what Mounties do all the time or whatnot. I started to piece the edge together as one does and immediately discovered that one of the pieces was all chewed up and distorted, like a dog had eaten it and spat (or sh*t) it back out. Oh well, I thought, at least it’s not missing, because I HATE when a puzzle has a missing piece, and I think I’ve written about suspecting Atlas of stealing puzzle pieces before. But it got worse. See, there are a lot of tiny human (?) figures in the puzzle, and as I started to pull them out, it became clear that the artist who designed it was, perhaps, really more into horror stories than pastoral scenes of a harbour town.

Like, OK, it’s bad enough that there are 4 dudes in three-piece suits and fedoras standing on a rock looking like they all want to talk to me about Jesus, and numerous people are hoisting giant lobsters in the air and swinging them around like that’s a completely normal activity (and maybe it is in Peggy’s Cove–I’m going there in August so I’ll keep you posted) but then, in the background, there’s this guy:

What the absolute f*ck is this guy doing, crawling out over a rock towards you like that girl from The Ring?! You don’t notice him at first, because there’s so much else going on, what with all the proselytizing and lobster waving, but once you do, HE’S ALL YOU SEE. And then suddenly it seems like maybe instead of an idyllic fishing village, this is a zombie town, and all the figures are now ominous and the lobsters are screaming for help. In the poster that came with the puzzle, he appeared to be wearing large, weird mittens on his hands, and I really didn’t want to find the rest of him in case he came to life and started crawling over the back of my couch.

So anyway, I’ll keep doing my Wysocki–I just won’t look too closely at the horses’ eyes, just in case they’re devil horses or something, because you never know…

On The Rocks

When my brother and I were kids, we had a rock tumbler. It was a messy, noisy contraption and I don’t remember if we ever got any decent rocks from it—I just remember dirty water spilling everywhere, and then I never saw it again, which was fine by me. When Kate was little, she, like most small children, loved shiny rocks and would pick up ‘special’ ones from beaches, driveways, gravel pathways, literally anywhere rocks could be found (and when I say ‘most children’ I also mean adults because I’ve been known over the course of decades to randomly slip a pretty stone in my pocket). By the time she was in middle school, Kate had amassed quite a collection and we even had a special shelf for her to display her treasures on. So I bought another rock tumbler. It wasn’t a very expensive one and that soon became obvious, as it created a stunning wall of sound that could be heard all over the house. You may or may not know that I suffer from misophonia (another fun offshoot of OCD), and the racket and my anxiety were so bad that at the end of the first cycle, I gave up. “We’ll get a better rock tumbler,” I said, my ears still ringing.

I didn’t bother for a long time, almost as long as it takes a rock tumbler to actually create smooth, shiny gemstones, then a couple of years ago, I saw a very expensive National Geographic model on Facebook Marketplace but the person selling it was asking a very cheap price (I wonder why?) It came with all the rocks, extra grit, and all kind of accessories, and it promised that the rubberized barrel made it “very quiet”. That was a LIE. We set it up in our back family room, and while it wasn’t as loud as the previous model, I could still hear it rumbling and grumbling all day from anywhere on the main floor. I persevered though (mostly because Ken put a sound-dampening cardboard box over it), and eventually got some very nice rocks that I made into necklaces, and I gave them to people while quoting Jean Jaques Rousseau: The sacrifice which costs us nothing is worth nothing. And the people who received the necklaces looked at me the way you can imagine they looked when I said that, but I think they appreciated the gift.

At any rate, I put the rock tumbler away for a bit. Then Ken, who gets that I have a real issue with loud noises, promised that in the spring, we could put it outside in the new workshop he built for me where I wouldn’t have to listen to it, and that was a great plan except because the rock tumbler was in storage in his workshop, I forgot about it. Until 6 weeks ago, when I was going through my stuff outside and I found it in a corner. And I haven’t told you about this for over 6 weeks, because that’s almost the amount of time it takes to polish a bunch of damn rocks in the tumbler, and there’s only one more week left before I have pretty, shiny jewels! I’m on the last grit now, and they keep looking smoother and smoother, and the best part is that because it’s outside, I can only faintly hear the tumbler if I’m in the back yard, and it’s just background noise along with the birds and wind and whatnot. Everything’s going so well that I spent half an hour on Saturday browsing Amazon for more rock kits, and come Christmas time, everyone’s getting a necklace, and this time, all I have to say is, “I made this for you.”

In other news, I still suck at math. Last week at work, I rang through a customer’s purchases, entered the amount of cash he gave me, then proceeded to start gathering up his change:

Customer (holds out more money): Would it help if I gave you $1.10?
Me: (stares blankly, frozen in horror)
Customer: I said, would it help if I gave you $1.10?
Me: It won’t NOW!
My 27-Year-Old Boss: Suzanne, do you need me to do some math for you?
Me (whispers sadly): Yes.

I’m lucky I’m surrounded by people who understand me so well.

And 2 huge thank yous: First to D. Wallace Peach at Myths Of The Mirror for her terrific review of my humour book What Any Normal Person Would Do and second to Paul Brookes at The Wombwell Rainbow for his lovely review of my newest short story collection At The End Of It All!